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| 2000 | |
| Nov-Dec 00 | New and Recent Work - Eugene Palmer |
| Oct-Nov 00 | Coq-à-l'âin: From rooster to ass, a story of cock and bull - Nicholas Lowe |
| Mar-Apr 00 | Dead Sea: The Salt Documents - Jane Calow |
| Feb-Mar 00 | Myth & Material - Rozie Keogh & Sadie Christian |
| Feb 00 | Kate Allen |
Exhibition
Eugene Palmer
New and Recent Work
Threshold Gallery, University of Bath
21 November - 18 December 2000
This exhibition brought together a body of new and recent work by the London-based painter, Eugene Palmer. Curated by Eddie Chambers, the exhibition reflected the artist's continued interest in portraiture. Over the years Palmer's work has featured multiple versions or 'copies' of portraits of members of his family. One series focussed on the artist's father; another series focused on one of his daughters. But these paintings are much more than just personal studies. Instead, Palmer's work animates intriguing questions of sameness, difference and identity.
Exhibition
Nicholas Lowe
'Coq-à-l'âin: From rooster to ass, a story of cock and bull'
Threshold Gallery, University of Bath
10 October - 6 November 2000
In
the work, Coq-à-l'âin, Nicholas
Lowe continues to explore questions of identity and sexuality. In previous
projects this has included visual explorations and debates on HIV and
AIDS, pornography, sex offence and serial murder. The work that was shown
in this exhibition addresses everyday subject matter through bawdy puppetry
and billingsgate humour, the unruly and unmannered popular genre of the
marketplace.
Lowe presents his ideas via a range of Rabelaisian narratives employing
genres drawn from both 'high' and 'low' cultural forms. This work sets
out to seduce and shock, engage and challenge.
Exhibition
Jane Calow
Dead Sea: The Salt Documents
Library, University of Bath
23 March - 9 April 2000
Jane Calow, Pillar
This work was non-permanent and site-specific. While at first glance it may appear that the work has its roots in minimalist sculpture, the materials, such as old clothing and blankets, graphite dust, salt, old books and sand offer a more subtle range of readings. Her work explores memory and association. The pieces, Dead Sea - The Salt Documents and Sub Terra in different ways, consider the idea of submerged terrain and displacement. Her work was on exhibition in conjunction with a one-day symposium Space, Architecture and Psyche.
Exhibition
Rozie Keogh & Sadie Christian
Myth & Material
Threshold Gallery, University of Bath
29 February -15 March 2000
Rozie Keogh (left), Sadie Christian
Exhibition
Kate Allen
Threshold Gallery, University of Bath
1 February - 20 February 2000
Kate
Allen is interested in media representations of the body and their relation
to self esteem. Her work examines the mental and physical space our bodies
occupy. This exhibition mixed three-dimensional 'real' sculptural objects
and digital computer-generated virtual 'objects'. Kate uses computer imagery
to extend her sculptural practice. For her, images of objects which are
digitally generated "…become in the mind's eye, as infinitely
flexible and controllable as in the imagination. The fact that they consist
of no matter, draws attention to our awareness of the physical."
